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I have 9 years experience and was told I was approved for L4. I am currently a senior program manager at a reputable tech/streaming company. Is this level low for my experience and is this a reasonable offer? The off What is your annual planning process? How does your product org - think at the level of Instagram, YouTube, Messenger, etc - do annual planning? Do you list down work streams across sub-products and then stack rank them at the leadership level in order to resolve prioritisation or resourcing conflicts? How do you negotiate OKR's/Target Defeating Selectivity, Population control and UBI It's unlikely MIT, Stanford, Harvard, etc will be defeated because of the pandemic but it may make a dent. Defeating the Ivys and other reputable institutes will require a broad social redistribution, one that has been kicked off but it will yield a new master, some certifying authority that everyo Poor LA job market ENCINO – A SaaS company in the market research space, currently building out their backend platform which helps entertainment companies understand their consumer reach and target demographics.
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In all services except Spotify, content that measures lower than target loudness is not gained up. So for people working with very dynamic classical music or film soundtracks those big dynamic movements will not be lost on most streaming platforms. However since Spotify is unique and adds gain and peak limiting if your content is below target it is potentially the most destructive sonically. So should you master to -11LUFS and save your music from Spotify's peak limiting but lose dynamic range on the other platforms? It's a compromise that you have to decide for yourself in consultation with your mastering engineer. You might want to test out what -11LUFS sounds like in the studio and hear what the effect of that limiting is. Is it better to master that loud yourself and compensate in other ways for the lost punch and lower dynamic range? Or should you accept that Spotify users get a different dynamic range than iTunes users and let your music be more dynamic for the rest of the platforms?
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In all cases there is no benefit to going above -11 LUFS because that is the loudest target level used by any service. If you go louder than -11LUFS then your music will be turned down and dynamic range and punch will be lost on all the services needlessly and permanently. Further Reading: Great info – graphic on the different streaming loudness targets. More info on LUFS/LKFS metering. Tags: apple music audio engineering engineering featured featuring itunes loudness mastering music streaming production spotify streaming platforms studio YouTube
Target Ticket will shut down in March, 18 months after its launch. CNET Retail chain giant Target plans to shut down Target Ticket next month, just 18 months after it launched the video-streaming service. The service, which launched in the fall of 2013, will be discontinued March 7, the retailer said Tuesday in a note posted to its website. The service's video rental service was shut down Tuesday, but customers will still be able to use the service to view already rented movies and TV shows until Target Ticket's closure. The move underscores the difficulty new players face breaking into an already crowded streaming-video market. "Target has made the decision to end the services offered on Target Ticket and will be focusing efforts on other entertainment offerings, " the company said in an FAQ. "Effective March 7th, 2015, Target Ticket will no longer be accessible on your device applications, gaming consoles, tablets, smartphones or on the Web. " After Target Ticket's closure, users will still have access to their rentals through an arrangement Target struck with CinemaNow.