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Carrie, pur amando ancora George, lo lascia, iniziando una brillante carriera teatrale che le porta successo e ricchezza; mentre George scende sempre più in basso e, ridotto sul lastrico, cerca Carrie per chiederle l'elemosina; ma poi, per non esserle di intralcio si allontana senza lasciar traccia. CRITICA "Si tratta di un'opera notevole. Efficace la ricostruzione di un particolare ambiente ottocentesco; ottima l'interpretazione dei protagonisti, specialmente quella di Laurence Olivier". ('Segnalazioni cinematografiche', vol. 32, 1952)
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In order to survive, they must contend with a one eyed femme fatale with a penchant for explosives, a hit squad comprised of topless women in cat masks, bounty hunters, a bigfoot, a rival gang of bikers, and the police. Visually Frankenstein Created Bikers is far superior to Dear God No!, it benefits greatly from the upgrade to 35MM for this film as opposed to the 16MM of the previous film. But how does it measure up content wise? Pretty well. While not as quite as graphic as it's predecessor, it surpasses it in fun. This film is beyond batshit crazy. The dialogue is hilariously vulgar. The gore is off the charts. Watch and bear witness to several brutal Bigfoot attacks, a shit ton of shoot outs, severed limbs, crushed heads, knives through heads, heads ripped from bodies, bodies ripped in half, exploding heads and more. It even has a literal skull fucking. Someone actually fucks the eye hole of someone who is missing an eye. The Impalers are all back. And while they are still the same shitty assholes, for the most part, they are immensely more likable.
Top reviews from the United States There was a problem filtering reviews right now. Please try again later. Reviewed in the United States on December 14, 2015 Verified Purchase This is the most Americanized film I have seen yet coming out of Bollywood. The actors spoke almost 100% English (I didn't even need the subtitles, go figure). It was full of American-style foul language, including plenty of the f-bomb to go around. It also had plenty of literal potty humor, too, but it was well-placed; the potty humor wasn't sophomoric, it was actually one of the plot points in this comedy of errors as one of our "heroes" has a suspected case of food poisoning. The plot surrounds three twenty-something lads and a girl who all unwittingly get involved in a failed diamond smuggling scheme. The story is full of laughs and is tightly knit; it unfolded as it should without being contrived or forced. I thought it was a very entertaining comedy, though of course I can see if offending some so be warned.
[11] [1] The film was then screened through Bell Media properties, beginning with CraveTV and The Movie Network, followed by its network television premiere on CTV and CTV Two on 17 December 2014. The film also aired on The Comedy Network. [12] Reception [ edit] Ratings [ edit] The network premiere of the film garnered 1. 84 million viewers. Critical response [ edit] The film gained generally favourable reviews. A positive review came from Linda Barnard of Toronto Star who stated "In truth, the film feels like 96 minutes of the television series stitched together, but that makes the film feel more authentic, and will please most audiences. " Another good review came from Jim Slotek of Jam! Movies, who stated, "It's about as funny and authentic a film you will get based on a TV show about nothing. " A negative review came from John Haggerty of The Globe and Mail who gave the film one-and-a-half stars out of four, stating, "You can practically hear the film groan as it goes past half-an-hour. "